A novel never sleeps.
We’re on vacation. As my family plays, I’m working on yet another round of rewrites for a young-adult novel, trying to add a scene about half of the way through.
This has had me thinking quite a bit about the idea of justification—not as in left, right, and center, but as in setting up a scene properly so that a reader neither feels as if it came out of nowhere nor as if it was far too long in coming. Getting it just right is obviously every storyteller’s goal, and one of the more challenging aspects of storytelling. Aristotle said that the end of an effective plot must be “unexpected but inevitable.” I’d say, though, that the same can be true of any good scene, and it doesn’t take a whole lot to mess it up in one direction or the other.
The reason that I’ve had this on my mind, other than my on-going story addiction/obsession, is that the last two books I’ve emerged myself in were Victoria Roth’s Divergent and George R. R. Martin’s Game of Thrones.