About Us — The Human Face of Digital Publishing
When I started Stillpoint Digital Press in 2011, all that I intended to do was to take my own varied experience as a writer, an editor, and an ebook designer and offer a service that was both more professional and more personal than that offered by the ebook self-publishing "services": digital publishing with a human face. From the beginning, that idea has resonated — and has brought me in directions that I never anticipated.
News from the Stillpoint
We’re back! Here are 6 more interesting online publishing tidbits, coming at you hot off the (digital) press.
- Looking for tips on how to successfully interface with readers online? Don’t reply to comments when you’re hangry, and other helpful tips from Neiman Lab.
- For those not in attendance at the recent London Book Fair, here were bestselling author Joanna Penn’s main take-aways.
- Facebook’s newsfeed feature is constantly evolving — read this Social Media Today article to keep up to date with how to use its algorithms to your advantage.
- For those not up to date with Google’s new GDPR-compliant policy, here’s an interesting read on why publishing trade groups aren’t happy with the tech-giant’s latest update.
- If you’ve really been living under a rock re: literary scandals, here’s a quick update on why the Nobel Prize in Literature is postponing this year’s award.
- I recently stumbled across this list of best publishing podcasts, and have to say, I’m impressed! If you’re looking for a good listen, shuffle through a few of these — you’ll certainly learn something.
Also, Stillpoint publisher David Kudler posted recently on TheBookDesigner.com about whether or not it makes sense to offer your ebook for free — and the best way to make that happen if you decide it does. Check it out!
Questions? Comments? Concerns? Feel free to let us know below!
April may be the cruelest month, but here at Stillpoint Digital there’s some good news — with a new month, comes a new roundup of this weeks most interesting #eprdctn-related articles. Continue reading Weekly Roundup
This morning, I was giving a talk to a group of writers on Joseph Campbell and the Hero Journey or Monomyth (in this case, specifically with regards to setting, rather than plot or character). I ran the group through a basic overview of Campbell’s schema, and gave them a number of examples from movies (since visuals are always helpful) — including two movies that I know for a fact consciously used Campbell’s The Hero with a Thousand Faces as inspiration: Star Wars: A New Hope and The Matrix. And I mentioned that, while I loved the first Matrix movie, I felt as if I could hear the pages of Campbell’s magnum opus turning as Neo’s journey progressed. Call to Adventure? Check. Crossing the Threshold? Check. Belly of the Beast? Double-check…
One of the participants asked, very reasonably, how to use and honor the Hero’s Journey schema without falling into the trap of writing a story that is formulaic.
When I was studying to be an actor, we had a wonderful master teacher named Archie Smith. Now in addition to being a terrific teacher, he was also (though in his late 60s) still an actor and a student of acting; he would sit in on many of our classes with other teachers and go through the exercises they had us work on, then apply them to his own work on stage and talk to us about what he’d learned.
One day, one of our classmates asked Archie how we could keep all of our acting fresh, even as we tried to apply all of these technical concepts that we were learning. Archie told us to learn all of the techniques that he and our other teachers were giving us, to internalize them… and then, he said with great glee, “Toss them out the window!”
When I’m writing, I try to think about the Monomyth cycle (and about all of the other skills and techniques I’ve picked up) as I’m researching, outlining, and note-taking. But then I put all of out of my mind as much as possible. I take Archie (and Binky) to heart, and… toss them out the window.
I almost always find that in my books (for example, Risuko), I’ve followed the schema — just not quite as slavishly (hopefully) as they did in The Matrix. 😉
I think Campbell would say that the story will tend to follow the pattern whether we want it to or not — it’s an expression of the structures of the unconscious mind, after all.
However, being conscious of those structures allows us to make choices about how we want to follow the pattern. Knowing that the setting of the world of supernatural wonder (“the forest adventurous,” “the land of adventure,” etc.) has to reflect an inversion of some sort to the world where we and the protagonist started out allows us to make choices about what exactly is going to change, so we can make notes, draw, collect pictures…
Then toss them out the window and write.
Since The Cuckoo’s Calling, I’ve enjoyed the Cormoran Strike series, written by J.K. Rowling as Robert Galbraith. Each entry has been a mind-tickling, exciting mystery in the old-style gumshoe detective vein, with all of the flourishes that made Rowling’s Harry Potter books so enjoyable — memorable characters, sly humor, exciting plot, and a deft hand at shifting moods unexpectedly. The latest entry in the series, Lethal White, provides many of the delights of the earlier books while revealing increased skill on the author’s part — but also revealing a disappointing tendency toward formula. Continue reading Review: Lethal White — Deadly Fun
With the summer solstice comes longer days. With longer days comes more time for reading! Here’s this week’s roundup of what we found interesting in the world of ePublishing.
From a scandal that rocked the world of digital publishing to some nice, relaxing podcast recommendations, here’s our latest weekly roundup. Continue reading Weekly Roundup — What’s new in digital publishing?
I originally published this post on Joel Friedlander’s wonderful resource for self-publishers, TheBookDesigner.com
If HTML is the blueprint, showing how an ebook (or a web page) should be laid out, Cascading Style Sheets (CSS) are the interior design, saying how everything should look. While that may sound superficial, in fact learning to use CSS can have a profound impact on your ebook.
This is a somewhat complicated topic, so I am going to take three posts to cover it. This time round, I’m going to show you what CSS is and how to apply it. In the second post, I’m going to look at some of the different properties that you can use to define how your ebook looks. And in the last post, I’m going to talk about how to know which rules take precedence when.
What Can Stillpoint Do for You?
Stillpoint Digital Press is a publisher and publishing services provider that creates fine ebook, audiobook, and print editions in genres from fiction to literary nonfiction, from memoir to poetry. It aims to provide digital publishing with a human face, offering a full range of editorial services, from editing, layout and ebook conversion to distribution and marketing.
Here's what we can do for you:
- Design your book in print and/or ebook format
- Print formats from simple black-and-white to complex, illustrated four-color
- Ebook formats—Kindle (mobi/KF8) & ePub:
- Fixed layout, flowing text, read-aloud, video- or audio-enhanced, etc.
- Create a cover
- Arrange printing—offset, short-run, or print-on-demand
- Manage distribution
- Work with you to market your book
- Quick and accurate ebook conversion from print or digital original
- Cover Design
- Smidget: Social Media Widget for Ebooks
- Distribution to all major outlets — if you'd like, we'll even set up accounts for you!
- Narration, recording, and editing
- Distribution to Audible, Amazon, and iTunes
- Substantive and developmental editing
- Copyediting and proofreading
- Image & quotes research and permissions