Tag Archives: Books

The Journey to Goddesses

Goddesses: Mysteries of the Feminine Divine by Joseph CampbellIt may surprise you to know that Joseph Campbell (1904–1987) has come out with a new book: Goddesses — Mysteries of the Feminine Divine. The story of how this book came to be is a testament both to the enduring power of the late American scholar’s work and of the power of the subject itself.

In 1980, Campbell and his editor, Robert Walter, were in the process of creating Campbell’s magnum opus: The Historical Atlas of World Mythology (a work Campbell sadly never completed). The book would be published by a new company that they were setting up for the purpose; Alfred van der Marck, the publisher with whom they were working, pointed out that you couldn’t have a publishing company with just one book, and so Campbell and Walter sat down and drew up a list of books that they felt should be part of this new venture.

The first book on the list was a book on a subject that Campbell’s friend and colleague Marija Gimbutas had brought to the academic fore: the study of the feminine divine in all of its historical and cultural forms. Continue reading The Journey to Goddesses

What's an Independent Publisher?

So, I was astonished earlier this month to find myself elected president of BAIPA — the Bay Area Independent Publishers Association.

You may call me Mr. President.

Born in the early, heady days of the desktop publishing revolution, BAIPA is a wonderful collection of folks involved in various parts of the non-corporate end of the publishing industry who get together to swap knowledge and offer services and listen to expert speakers give information about the esoterica of the publishing craft. We’ve got authors, editors, designers, publicists — if it’s got to do with the creation of books (in whatever form) and their sale, there’s someone there who can help. The collective is capable of creating books that are every bit as polished and attractive as those put out by the Big Five publishers. (Is it still five, by the way?)

I’ve learned a lot at BAIPA meetings. I’d like to think I’ve also managed to share some helpful information.

Meetings always start off with a free-form Q&A session. It gives people the chance to ask whatever burning question they may have up front; the BAIPA hivemind then sets about answering the question.

A few weeks ago, at the first meeting that I ran as president, no one had any questions to ask up front. This sometimes happens, so I threw out a question that I hoped would spark some interesting conversation: What exactly is an independent publisher? Continue reading What's an Independent Publisher?

What’s an Independent Publisher?

So, I was astonished earlier this month to find myself elected president of BAIPA — the Bay Area Independent Publishers Association.

You may call me Mr. President.

Born in the early, heady days of the desktop publishing revolution, BAIPA is a wonderful collection of folks involved in various parts of the non-corporate end of the publishing industry who get together to swap knowledge and offer services and listen to expert speakers give information about the esoterica of the publishing craft. We’ve got authors, editors, designers, publicists — if it’s got to do with the creation of books (in whatever form) and their sale, there’s someone there who can help. The collective is capable of creating books that are every bit as polished and attractive as those put out by the Big Five publishers. (Is it still five, by the way?)

I’ve learned a lot at BAIPA meetings. I’d like to think I’ve also managed to share some helpful information.

Meetings always start off with a free-form Q&A session. It gives people the chance to ask whatever burning question they may have up front; the BAIPA hivemind then sets about answering the question.

A few weeks ago, at the first meeting that I ran as president, no one had any questions to ask up front. This sometimes happens, so I threw out a question that I hoped would spark some interesting conversation: What exactly is an independent publisher? Continue reading What’s an Independent Publisher?

New Stillpoint title: Laura English

We’re excited to announce the imminent publication of Laura English, Lynn Arias Bornstein’s new novel of glamor, love, and intrigue coming in print and ebook formats to Stillpoint Digital Press in February: Continue reading New Stillpoint title: Laura English

From proof sheets to royalty reports: what a self-published book can earn

A client just asked what she could plan on making per copy of her book — she’s trying to put together a budget, which is always an excellent idea. Well, I talked earlier about the costs of preparing a book for publication, but hey! We know your book is going to sell, right? So what should we plan on in the revenue column?

I thought it might be helpful to share my response to her, to give you an idea of what a book might actually bring in (per copy — how many copies sell is entirely up to you).

The numbers I gave her are based on these assumptions:

  • The book is going to be self-published (so the author will the person going to Amazon’s KDP and Createspace subsidiaries, and to Ingram’s Lightning Source or IngramSpark)
  • The book in question is going to run approximately 350 pages (black ink on white paper), will have a trim size of 6″ x 9″, and will be “perfect” bound (the standard paperback binding)

Here’s my response: Continue reading From proof sheets to royalty reports: what a self-published book can earn

Christina’s World – On Struggle and Story

Christina's World by Andrew Wyeth Andrew Wyeth (American, 1917-2009). Christina’s World, 1948. Tempera on gessoed panel. 32 1/4 x 47 3/4 in. (81.9 x 121.3 cm). Purchase. Courtesy of The Museum of Modern Art, New York. © Andrew Wyeth

I was talking with an author the other day. We were discussing cover art, and the subject of Andrew Wyeth’s iconic painting “Christina’s World” came up.

Not that we wanted to use that piece, but we wanted to evoke the same feeling.

What’s so evocative about “Christina’s World”? Well, I’m not an image person so much as a story person, and for me, it’s the central figure’s determination, her yearning.

The actual Christina — the model for the body (though not the head) in the painting* — was a paraplegic who refused to use a wheelchair; she moved around the farm that she and her brother lived on solely through the use of her arms.

Why were we discussing this? Well, obviously, its an incredibly evocative image. More to the point, Nicole Sykes, the author I’m working with, was born with cerebral palsy. Speech is a challenge for her. She has partial control over her left hand, but doesn’t use her right. Her mobility is provided by a motorized wheel chair. She speaks — and writes — by tapping a large keypad with the back of her left fist; speech is synthesized in Stephen Hawking-like bursts.

And she’s written a memoir. A funny memoir. Continue reading Christina’s World – On Struggle and Story

Christina's World – On Struggle and Story

Christina's World by Andrew Wyeth Andrew Wyeth (American, 1917-2009). Christina’s World, 1948. Tempera on gessoed panel. 32 1/4 x 47 3/4 in. (81.9 x 121.3 cm). Purchase. Courtesy of The Museum of Modern Art, New York. © Andrew Wyeth

I was talking with an author the other day. We were discussing cover art, and the subject of Andrew Wyeth’s iconic painting “Christina’s World” came up.

Not that we wanted to use that piece, but we wanted to evoke the same feeling.

What’s so evocative about “Christina’s World”? Well, I’m not an image person so much as a story person, and for me, it’s the central figure’s determination, her yearning.

The actual Christina — the model for the body (though not the head) in the painting* — was a paraplegic who refused to use a wheelchair; she moved around the farm that she and her brother lived on solely through the use of her arms.

Why were we discussing this? Well, obviously, its an incredibly evocative image. More to the point, Nicole Sykes, the author I’m working with, was born with cerebral palsy. Speech is a challenge for her. She has partial control over her left hand, but doesn’t use her right. Her mobility is provided by a motorized wheel chair. She speaks — and writes — by tapping a large keypad with the back of her left fist; speech is synthesized in Stephen Hawking-like bursts.

And she’s written a memoir. A funny memoir. Continue reading Christina's World – On Struggle and Story

Of Ebooks and Audio and Editing

Revising, reworking, removing by mpclemons/flickr.com. Used under a Creative Commons license.

Self-publishing doesn’t mean having to do everything by yourself!

Stillpoint Digital Press is proud to serve not only as a publisher of fine ebook, audiobook, and print editions, but also as a provider of quick, affordable, and professional ebook conversion and design, audiobook production, and editorial services.

We have helped small presses, agencies, and self-publishers to produce the books they want to create, and we’d love to work with you!

Contact us for an estimate today. For more information about our services, read on: Continue reading Of Ebooks and Audio and Editing

The Forgotten Branch: Author Jack Beritzhoff Remembers the Merchant Marine

Merchant Marine Recruiting Poster - Library of Congress

As we approach Memorial Day, most Americans are conscious of honoring those who have served in the military, so it isn’t surprising that nearly all of us could name the three largest branches of the armed services — the Army, the Air Force, and the Navy (of which the Marines are the land troops). Quite a few of us could add the Coast Guard to that list.
Very few, however, would think to include the Merchant Marine, what Jack Beritzhoff, former merchant seaman and author of Sail Away: Journeys of a Merchant Seaman, calls “the forgotten branch of the military”:
Continue reading The Forgotten Branch: Author Jack Beritzhoff Remembers the Merchant Marine

Spreadsheets to Galleys: How to Budget Your Self-Published Book

New Year, New Spreadsheets by SaraE

After I wrote recently about why self-publishers need to use professional editors, a number of folks emailed and commented, asking just how much such an endeavor would cost. It was a tough question to answer — I know what I would charge for many services, but it’s difficult to say what the market cost might be, especially for services that I myself don’t regularly provide. Understandably, some correspondents were anxious, wondering if they should jump in, not knowing what the whole process might cost.

This week on PBS.org, Miral Sattar, CEO of the publishing-services marketplace site BiblioCrunch, posted what I found to be a quite thorough rundown of what it might cost to put a self-published book through as professional as possible a publishing process.

She posited a fairly typical book, weighing in at around 70,000 words. She made no further stipulations — fiction vs. non-fiction, for example, or thoroughly workshopped, researched, and rewritten (I was obsessed about the need to rewrite my essay as a student, still remember) vs. hastely pulled together. The style, genre, and initial quality of the prose do make a huge difference in terms of the kind and amount of editorial work that needs to be done, obviously. Ms. Sattar was trying to explore a median case.

She based her standards and pricing on the Editorial Freelancers Association’s posted rate sheet, which is as close to an industry standard as exists.

Here in brief is Sattar’s rundown (each entry has a low and a high end estimate):

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