The first thing you need in order to sell your book(s) is a quality product — well-written, well-edited (not by you), and well-designed (both the ebook, the print edition, and, possible, the audiobook — not to mention the cover). But that’s not enough. If you build it, they probably will not come.
Creating books is only the first half of the job. The other half is actually making sure that you’ve created an audience who want to buy them.
Now, when I say that to new author-publishers, they immediately think I’m talking about paid ads on Facebook, Google, Amazon, BookBub, etc.
Timepiece, the first volume in Heather Albano’s exciting steampunk time-travel adventure trilogy Keeping Time, is now available from Stillpoint Digital Press.
Timepiece is a steampunk time travel adventure about a girl, a pocket watch, Frankenstein’s monster, the Battle of Waterloo, and giant clockwork robots taking over London.
Science fiction master Kim Stanley Robinson called it “propulsive adventure with historical insight.” Continue reading Timepiece Now Available→
We asked author Kenneth Schneyer to write a foreword to Heather Albano‘s forthcoming time-travel adventure novel Timepiece, which comes out January 3, 2017. What he wrote was so delightful, we thought we’d share it ahead of time!
Of course time travel represents an inversion of the way we experience the world. The arrow of entropy is reversed.People gain knowledge of the consequences of their actions before they take them.In this, it resembles both the prophecy story and the flashback: more than one author has imagined Tiresias and Cassandra as time travelers. Continue reading Kenneth Schneyer on Timepiece: Savor every bite→
As you may know, I’ve had the pleasure and privilege of serving as the managing editor of the Collected Works of Joseph Campbell since 1999. It’s been hard work, but it’s also been very satisfying — in the years that I’ve been at the JCF, we’ve produced fifteen books (closing in on thirty if you include the ebooks), over forty audio recordings and a really wonderful fifteen-hour video series. Of those books I was talking about, seven were brand new, posthumous titles — on three of which I was the titular editor. (You know. The guy on the title with the author.)
Now, the JCF is a not-for-profit, but it hasn’t been run the most such groups are. We’ve tried to the best of our ability to have the work pay our way. We don’t have an office, nor are there any employees — all of the work is done by a handful of independent contractors (like me) and volunteers. We’ve always taken donations, and sometimes we’ve had to be a little more forceful in our appeals due to a cash crunch, but there haven’t been any major donor campaigns, no chasing after grants, no bake sales. The idea was not to let the tail wag the dog.
There comes a time, however, when a major capital expenditure is bound to come up. In the case of the JCF, we’ve been getting by on a jury-rigged website for about eight years. It’s never been perfect — but at this point, the plaster is falling off the walls. We’ve tried to find low- or no-cost ways to create the kind of vibrant, useful site that our associates need, but finally came to the realization that we needed to raise :gulp: $65,000 in order to make that happen.
So this is where I turn to you — I know that you’re shocked — and ask that you help us continue to fulfill our mission to “preserve, protect, and perpetuate the groundbreaking work of Joseph Campbell.”
It is difficult to know whether the elegiac mood I felt while reading The Shepherd’s Crown was due to the book itself or to the fact that the fifth Tiffany Aching novel (and forty-first Discworld novel) was in fact the late Sir Terry Pratchett’s final work.
The Shepherd’s Crown focuses on the young witch Tiffany Aching as she comes fully to find her place both in the non-hierarchy of the witches’ world, in the land of her birth (the Chalk), and in her own life. She finds herself pulled between two steadings, the districts for which, as a witch, she is responsible for doing “what needs to be done” — whether visiting the old and sick, birthing babies, or protecting the inhabitants from supernatural invasion. And, as the book begins, a supernatural invasion does in fact loom: Nightshade, Queen of the Faeries (whom a nine-year-old Tiffany defeated in the first book in the series) finds that the boundaries between her world and Tiffany’s are weak, and she is planning large-scale revenge. Discworld faeries have much more kinship to the Celtic sidhe than to the cute winged creatures of most children’s books or than to Tolkien’s aristocratic elves: they are(literally) glamorous, pitiless creatures who take delight in mayhem ranging from spoiling beer and stealing sheep to kidnap, torture, and murder.
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